Showing posts with label Gifu. Show all posts
Showing posts with label Gifu. Show all posts
I really need to start setting a day aside and seriously start writing this blog.
I can only blame my boss for requiring me to update from the office (which I hardly go to) anymore. If she wants this updated, then I'm going to start doing it from home!


So, here goes another try at updating this regularly!


Today, instead of a review of a website, I'd like to introduce you all to Nagaragawa Garou, or Gallery Naragagawa.

Nagaragawa Garou is an art dealer run by the husband of one of my private students, Mr. Susumu Tsuchiya. The three floor building houses a gallery of traditional and modern Japanese art (Outre) on the first floor, the dealer office on the second floor, and a hanging scroll workshop (Nagaragawa Koubou) on the third floor.

Nagaragawa Garou deals mainly in hanging scrolls, called kakejiku (掛け軸). There is a strong focus on Zen Buddhist calligraphy scrolls, particularly those done by a local Gifu artist named Hisamatsu Shinichi (久松真一), but there is also painted scrolls and oil paintings available for sale.

While their prices do seem relatively cheap compared to other kakejiku dealers, they are still pricey. Scrolls are priced anywhere from $300 up to over $1000. However, the service is great for the price. International shipping is available, and Mr. Tsuchiya is always willing to answer any questions about a particular scroll, the care and conservation of a scroll, and the Japanese art world in general. Many scrolls come with a tomobako (友箱), a wooden box made specifically for the scroll, and with the title of the scroll painted on the lid by the artist. If a scroll does not have a tomobako, Mr. Tsuchiya will include one in the price. You can request a newly-made box, or he can choose an aged one out of his collection of wooden storage boxes. Recently a purchase was made, and Mr. Tsuchiya included a small book containing a collection of works by the same artist for no extra costs. This doesn't happen with all purchases, but he likes to make sure that the purchase is one you will never regret.


I can't really say much about the gallery, Outre. I've only been in it once or twice. It's quite a small area, but there are always interesting works of art on the walls. I'd say about 90% of the works showcased in the gallery are traditional scrolls, but there is always a mix of traditional and contemporary. The gallery is self-serve; there is no one to greet you, no curator waiting to answer your questions. There is a automated recording that welcomes you to the gallery when you walk in, and an intercom up to the Koubou if you should have any questions.


At the Koubou, you can have several things done:
  1. Have an old scroll repaired as is
  2. Have an old scroll demounted (i.e. take off the backing paper and the border fabric), cleaned/repaired, then remounted with the original fabric
  3. Have an old scroll demounted, cleaned/repaired, then mounted in new fabric
  4. Have a new work of art/calligraphy mounted onto a scroll
  5. Have several works of art/calligraphy mounted onto a folding screen (this is a rare one)
Nagaragawa Koubou is unique as it is the only kakejiku workshop that does everything by hand. Nowadays, most mounting of scrolls is done by machines which gets everything done a lot more quickly. There's no pride in that, so Nagaragawa Koubou does everything by hand, the traditional way. All the paper used is also made locally in Mino City, just Northeast of Gifu. Mino, as I mentioned in one of my first posts, is known for it's traditional rice paper, washi (和紙).
They even use the traditional Japanese measuring system of bu (分), sun (寸), and shaku (尺). One sun is about 33mm/1.3in. Ten bu make up one sun, and ten sun make up one shaku. Most scrolls are about two shaku in length upon completion.

One reason I have been having trouble finding time to update this blog is that I have started helping out at the Koubou in my free time. This past Tuesday I was at the Koubou for a few hours and was able to take some pictures of the process. However, I was unable to get any pictures of the demounting, cleaning/repairing and remounting of scrolls. I hope to get that sometime after the Obon holiday (a post of that later this weekend, I promise). I also just realized I don't have any photos of the actual scroll bars being attached. Next time I'll make sure to get some and put them up!


Anyway, on to the pictures!


Scrolls waiting to be glued together

The fabric used as a border around the scrolls

Scrolls getting their fabrics picked out


An old Buddhist scroll, at least 100 years old, if not older


Close up of the scroll

Close up of the fuutai (風帯). We know this scroll is old because the borders and fuutai are all hand-painted

An old scroll of a Buddhist mandala waiting to be repaired

Putting glue onto the backing paper

Picking up the backing paper on a wooden stick. This is hard to do!

Phew! Got it all off the table and onto the stick without ripping!

Putting the paper on the fabric. The same process is used with backing not only the border fabrics, but also a finished scroll.

Brushing the paper on flat

Once the paper is on, it's back on the stick to transport it to the drying board

Affixing the scroll/fabric to the drying board

What a scroll looks like while drying

Once a scroll is dried, it's carefully peeled off

Finished scroll! All it needs are the bars, fuutai, and the cord!

Futai! I made these myself! The two red ones on the left are for Buddhist-style scrolls. The rest are for Japanese-style.

This fuutai is securely sewed in place!

Attaching the cord. I get to do this, too.

After the scroll is finished, the back of it gets "massaged" to soften up the backing paper. This is done with wax and a beaded cord:
Wax that looks like marble

Beaded cord!

What the back looks like when it's finished.

After that, it's rolled up, put in it's box, and packed up for shipping!



If you have any interest in owning a traditional Japanese scroll, I completely suggest looking at Nagaragawa Garou. You won't be unsatisfied.
What I'm trying to do currently is convince Mr. Tsuchiya (with the help of his wife) to start selling cheaper scrolls as well. Mr. Tsuchiya goes to several art auctions ever month and ends up with a lot of scrolls that "can't be sold" as they either end up to be prints or unsigned by the artists. Hopefully, one day, we will convince him that there is a market willing to purchase these for decent prices, and he'll stop throwing them out.
As I mentioned in my post back in January, Gifu houses one of the oldest sakura cherry trees in Japan, 薄墨桜 (Usuzumi-zakura). Usuzumi-zakura is supposedly 1500 years old, only be upstaged by Jindai-zakura in Yamanashi Prefecture which is about 2000 years old. According to legend, it was planted in 467 during the reign of Emperor Yuryaku who was the 21st emperor of Japan. There is some speculation on this, as some websites I've found on it say the year 487.

This particular type of sakura is known for it's pale pink petals that fade to white as they reach full bloom, then fade to a light gray as they fall. The name usuzumi-zakura literally translates to "light Chinese ink cherry tree". This name was given due to the fact that the petals do turn a light gray that is very similar to watered down traditional Chinese ink used in calligraphy and painting.


The tree itself is huge compared to the average size of a sakura tree. According to the official website (Japanese only), it is 16.3m (about 53.5ft) tall and 9.91m (about 32.5ft) around it's trunk. The thing is absolutely massive.

Instead of me just typing away about it, how about some pictures to look at?
You can click on them to see them bigger.
Later, once I go through all that I took, I will upload more to my deviantArt site, which is linked to the "Photo" button up top of this blog.

Look how massive that is!

Better look at the supports holding up the massive branches

The blossoms look pink from far away but...

When you get right up to them you notice they're actually white.

Except when the setting sun hits them.

We found a random old footbridge across a dried up river on the far end of the park.

The bridge led through a campsite, up a hill, and to a small little shrine.
As much as this blog is supposed to be writing reviews and such about the available self-study Japanese websites out there on the tubes, I'm still trying to find my voice by talking about work and work-related subjects.
I've talked about Hop Step Jump, Hop Step Jump events (student-run and company-run), and Learn-Japan.
All the photos I've posted so far have been work-related.
I've been all work, work, work.


So a bit of a break. Before I start cracking down and actually reviewing websites, I want to share Gifu.


The title of today's blog is a well-known quote from the Sengoku (Warring States) Period of Japan's history. The reason being, Gifu is the exact center of Japan. Literally. Geographically. The village of Minami in the northern city of Gujo is actually the dead geographical center of the Japan archipelago. I've been to the museum that has a huge pendulum-looking cone pointing to the exact center. Many of the postal codes in Gifu also start with 500 to signify how central of a location it is. Relative to the "big" cities of Tokyo and Osaka, it's roughly 396km (246 miles) to Tokyo and 217km (135 miles) to Osaka, making it roughly in the middle between two of the largest cities in Japan and the world.

While most in Gifu would consider it inaka (country) here, it's actually a pretty interesting area to live in. In way northern Gifu there's the Hida-Takayama area, known for it's mountains (considered a part of the Central Japanese Alps), sake, and for a large, old-style shopping district in Takayama City. Takayama City is also the largest city in surface area in Japan. There's a famous Shinto matsuri festival in spring and fall that I have been meaning to get to. The whole are gorgeous to go visit any time of the year, especially in fall and winter. They also sell good luck charms called sarubobo, and I have two Hello Kitty sarubobos I bought my first trip there. Sadly, my laptop died two years ago and I lost all of my photos from this area. I need to go again and get some good photos to share.

Nearby Hida-Takayama is Gero, which houses some famous onsen. The onsen has a huge fireworks festival every year that attracts a huge crowd from all over the country.
Gujo, which I mentioned further up the page, is west of Gero and is one of my favorite places in Gifu. Gujo is home to Gujo Odori, a huge dance festival in August celebrating the Bon Festival. If you've ever seen a picture of the famous Daimonji in Kyoto, it's for the same holiday. It's held in the Hachiman area of Gujo, and lasts a month. The most amazing part of this festival is in mid-August, usually around the 14th, where for four days the citizens of Hachiman and people form all over the country come to participate in tetsuya-odori, all-night dancing. I've gone two years in a row and plan on making it three this year.
Here are two of my photos from last year:

This is the little pagoda that is in the center of the dancing area. These poor old guys have to sing and play music all night from about 8pm until 4am while people have fun and dance around them.











This is what it looks like in between the dance lines, looking towards the center. Usually the dancers are arranged in a plus shape, snaking down the four streets that create the intersection that the pagoda sits in.





Gujo also houses several caves which are open for tours and are awesome places to hide from the summer heat, as well as a "food replica" factory and store that is open for tours. Gujo-Hachiman actually produces 80% of the plastic food samples you see in restaurant and cafe windows across the country. The factory sometimes offers tours that allows visitors to try their hand at making their own leaf of lettuce to take home with them.

Heading south towards Gifu City brings you to Seki City, which has a 700-year-old history of sword making and cutlery. Four times a year they have demonstrations of the traditional methods of sword making, and also have ceremony for the first sword of the year at New Years. The Swordsmith Museum also houses one of the largest swords in the world, a katana that's a good 6 meters long. The area of Seki, and it's neighboring city of Mino, is pretty well known for unagi, or eel, as well. Makes for a tasty summer treat!

In southern Gifu, the big three cities are the capital, Gifu City, Kakamigahara City, and Motosu City. Kakamigahara, often called Mippara by citizens, houses several aeronautic companies that design and manufacture airplane parts, as well as a Self-Defense Force (formerly the Japanese Army) air base, both of which made the city a common air raid target during World War II. Currently, Kakamigahara is known for it's sakura in the city park and along the river banks.



Motosu City is known for mainly three things: persimmons, Usuzumi-zakura, and MaLera.
Motosu is a large producer of fuyugaki persimmons, and groves of persimmon trees can be seen all over the city. If one asks someone from Gifu what a good gift from Gifu would be in the fall, most will suggest a box of persimmons before anything else.
The Usuzumi-zakura is the oldest sakura in Japan, believed to be over 1500 years old. The park where it is is now filled with many "babies" that have come from the central tree. It is a rare type of sakura that has pale pink blossoms that change to white at full bloom, and fade to a light gray as they fall. The sheer size of it is unlike any sakura I had ever seen. Hopefully I can go this year and actually take photos.
The MALera shopping mall in Motosu opened a few years ago, and is actually one of the largest malls in the country. It boasts 240 retail stores, a movie theater, food court, supermarket, and a "restaurant street" that stays open after the retail stores have closed. It is a paradise for mall-walkers, without a doubt.


Gifu City is where I'm stationed, and is the capital of Gifu Prefecture. It's a pretty decent sized city, and is quite easy to live in. There's a large JR station and one of the main Meitetsu stations in the center of town, as well as a shinkansen station about a 45 minute drive away over in Hashima City. First thing you notice when you get out of the train station is usually Gifu Castle sitting up on top of the mountain. Just as most of them are nowadays, it is a replica museum, but is a nice hike up Mt. Kinka to get there, or you could take the ropeway car up for $6 one way. Inside there is a lot of samurai armor, weapons, ninja weapons (yeah, real shuriken and the like), and a bunch of papers in Latin about a missionary who came during Oda Nobunaga's reign. Nobunaga's a weird historical figure in that he's become quite the legend. Appears in several video games as a "devil" figure, mainly because of how Japanese history portrays him. He was good at killing off those who opposed him, and allowed Christians onto his lands. Both of these got him the lovely title of "evil" when he was finally defeated.

Below the castle are several museums inside Gifu Park, including an insect museum and a city history museum, and down the street is Shōhōji Temple which houses one of Japan's largest Great Buddha statues. One of my co-workers told me it is not only the 3rd largest Buddha in Japan, but also the largest lacquered Buddha in Japan. Within a short walking distance from Gifu Park one will find Inaba Shrine, one of the three largest shrines in Gifu City. Inaba, along with Kogane Shrine and Kashimori Shrine (right down the street from my office), house a "family" of deities, with Inaba and Kogane shrines housing the parent gods, and Kashimori Shrine housing the child of the two. Every year in April the three hold joint festivals. In front of Inaba Shrine, one can also find the local branch of Zenkouji Temple. Seki City, which I mentioned earlier, also has their own branch of Zenkouji Temple which is much older than that of Gifu City.



Possibly the most famous tourist attraction in Gifu City is it's historic cormorant fishing, Ukai, that occurs on the Nagara River between May and October. Gifu's section of the Nagara River is one of just a handful of places in Japan where this traditional night fishing still exists. Seki City, Inuyama City in Aichi Prefecture, and an area of Nara are the only places I've heard of that still practice this art. The tradition has been passed down through families, from father to son, for 1300 years. The houses where these families live are preserved as they were from Japan's past. Officially, these fishermen are under the watch of the Imperial Household Agency, and much of the first catch of the season is sent to the Imperial family as a gift. There are also areas of the Nagara River where fishing is prohibited as they are the official fishing spots for where the Imperial Family gets their Ayu, a type of Japanese sweetfish.


Another must-see in Gifu City, is Bairin Park, which houses 1300 Japanese plum trees. It offers 50 different varieties of plum trees, 600 of which are red or pink blossoms, and 700 are white varieties. A few of the red and pink varieties start blossoming as early as mid-January, and continue well through March. The Bairin Plum Festival, Bairin Ume Matsuri, is held the first weekend of March every year, with food booths selling all sorts of festival food, and local modeling companies bringing in models to pose with the blossoms for amateur photographers. Two years ago we had one model dressed up as a maiko, and last year we just had two girls in pretty dresses. The sheer amount of people with cameras is just amazing. Many also bring portable printers with them to print out their photos right then and there. Going to this festival is one of my favorite parts of living in Gifu, and I can't wait for this year's. Most likely I'll run into every single photographer you see in that above picture.



I could go on and on and on about things to see and do in Gifu, but I think I've droned on long enough. This took me two sessions at work to type all out. One last link I would like to share with you all is The Site of Reversible Destiny in Yoro Park, to the East of Gifu City. There is no other place like this in the world, and it is an incredible experience. It's slightly run down after being open for 10 years or so, resulting in a surreal, almost bad dream-like experience if you go on a cloudy day. I regret not taking my mother while she was here last summer. I think she would have gotten a kick out of it.



This is all my random rambling for now. Starting next month I'll be doing reviews of various websites to learn Japanese from, and possibly different ways to find work in Japan. Have to run that by my boss first.

Till next month!